Nashville Pussy ROCKS

Say Something Nasty was released may 28th on Artemis records. Make sure you call up the radio station and ask them to 'Keep On Fucking' !!!

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REVIEWS

SAY SOMETHING NASTY from 411 Mania

SAY SOMETHING NASTY from uncle dan's house of smut

SAY SOMETHING NASTY from show and tell

SAY SOMETHING NASTY from the Jambar

SAY SOMETHING NASTY from Creative Loafing 5/22/02

SAY SOMETHING NASTY from WOW 8/02

SAY SOMETHING NASTY from Live 4 Metal 8/02

SAY SOMETHING NASTY from Topsoil.net 8/02

SAY SOMETHING NASTY from bikemage.com


http://www.cdsmash.com/ Review

Raunchy southern rock on their third album, "Say Something Nasty" And that they do! With songs such as "The Bi**h just Kicked Me Out" & "Gonna Hitchhike To Cincinnati And Kick The S**t Outta Your Drunk Daddy". This Is music that will keep a smile on your face and the volume turned down when the preacher's around . And Ruyter (Lead Guitar) Can say something nasty to me any times she wants. Influence's are: Anything deep fried In Southern punk ass rock! HELL YA!!
Review BY Kman


Classic Rock Revisited By Scott Alisoglu

Considering that I haven't listened to Nashville Pussy's previous albums, I can be completely objective and review Say Something Nasty for what it is: kick-ass, whiskey-soaked, nicotine-stained, Nugent-meets-Skynyrd-meets-early-Stones-meets-AC/DC HARD ROCK!!!! Damn, this one felt good! It just breaks my heart to think that there are kids watching MTV right now who don't know about Nashville Pussy.

Say Something Nasty is 13 tracks of rip-snorting, sleazy rock n roll, plus an intro about pussy as a lyrical topic and an instrumental outro. The title track, "Gonna Hitchhike Down to Cincinnati and Kick the Shit out of your Drunk Daddy" (yes, it's an actual title), and "You Give Drugs a Band Name" had me thinking of the best moments of Ted Nugent's Cat Scratch Fever and AC/DC's Powerage. Throw in a little Lynyrd Skynyrd, Pat Travers and early-to-mid 70s Rolling Stones and you've got Nashville Pussy. That's a lethal combination, boys and girls. Hell, there's even a cover of Rick Derringer's "Rock N Roll Hoochie Coo." I couldn't think of a better song for this co-ed band to cover. Nashville Pussy even knows how to weave mystery and subtlety into their song titles - check out "Keep on Fuckin," "Here's to your Destruction," and "Jack Shack." Get it?

There's hope for this generation yet, thanks to Nashville Pussy. In the words of Ted Nugent: "Anybody wants to get mellow, you can turn around and get the fuck outta here!!" I think I've said enough. - Scott Alisogu


Lifefrombeyond.com -- Rotting Brains Since 1992!!!

So sayeth the intro: "Pussy. It's all about pussy." Have truer words ever been slurred? While even more label juggling and the sudden departure of fire-breathing Amazonian bassist Corey Parks might've caused some anxiety within the pungent folds of Pussy's followers, it's pretty clear from just perusing ...NASTY's song titles that any distress has been a waste of time. "Jack Shack", "The Bitch Just Kicked Me Out", "You Give Drugs A Bad Name" and , hoo boy, "Gonna Hitchhike Down To Cincinnati And Kick The Shit Outta Your Drunk Daddy" are not only clever in name, but are musky minuets of sheer Southern rock genius, highlighted as always by the husband and wife team of Blaine Cartwright (strums, strangles and stink) and Ruyder Suys (asinine guitar noodling and grand cannons cleavage). In the wake of Parks, a one-girl show in herself (solo project? PLEASE?), replacement bassist Katielynn Campbell has some mighty tall boots to fill - something I hope is more exciting visually than it sounds here. The third in a sticky string of mindless menses metal, ...NASTY is another chortle-packed gem from a band with just enough chops, class and ass to keep them from being an utter joke and more than enough tastelessness to keep them off the accursed airwaves. Viva Los Snatchos!
El Niablo


Say Something Nasty Review by antiGUY at iconoMusic.com
Rating: 3.5 smiley faces

Southern rock is far from dead, it’s just a lot louder and well nastier than ever before! After two years spent bringing their high voltage Skynyrd meets AC/DC brand of rock n roll to the masses on the road, Nashville Pussy return with the follow up to their 2000 studio album, “High As Hell”. As the title, “Say Something Nasty”, suggest, what you get is pure unrestrained Nashville Pussy!

You know what you are in for with the opening of the record which proclaims, “Pussy, it’s all about pussy / you gotta sing about pussy to get money / you gotta get money so you can get pussy / and you gotta get pussy so you can sing about it / and a record company that don’t let you sing about pussy / ain’t your record company”. Perhaps that last part is a jab at the band’s former label TVT records?

From start to finish this album drips with Nashville Pussy’s infamous nastiness, while others think of obscure ways to get their less than pure message across, Nashville Pussy isn’t shy and put all their cards on the table, for all to see. Ruyter is still the closest thing you will find to a female Angus Young and Blaine gives the band their raunch with his growling vocals.

“Say Something Nasty” is sure to get your juices flowing and songs like “Gonna Hitchhike Down To Cincinnati And Kick The Shit Outta Your Drunk Daddy”, “The Bitch Just Kicked Me Out”, “Keep On Fuckin'” and “Beat Me Senseless” more than live up to the band’s nasty past. Highpoints include the bluesy rocker “You Give Drugs A Bad Name”, a song that has been a showstopper for the band on the road and is rumored to have been inspired by the group’s former bassist Corey Parks.

If anything this album takes things to a deeper level of degradation and nastiness. But in the end it’s just plain old’ Nashville Pussy, a band that gives Tipper Gore nightmares and rocks the hell out of all they come across.


RateYourMusic site review by Jeffery Jackson
I may be a little biased cause in my eyes there is really no other rock band around today that comes close to Nashville Pussy. Today, Finally I got the new CD. Half way through the songs now and I can say this; After hearing a few of the songs live already, I definitely like the way they work in the studio. Blaine sounds awesome in particular. The songs sound great. Most importantly THEY KICK ASS...and what else would you expect from this band? They give 200% at EVERY live performance and it translates great in the studio. The album starts off with a spoken word intro by some dude ranting about what else but PUSSY. Then the opening riffs to "Say Something Nasty" starts and you know right away that this album is gonna be classic Nashville Pussy. This is one of THE best songs I've heard in a long time. From beginning to end it holds your interest and sounds greeeat. Most guitar parts in songs today bore the crap outta me...but the guitar in this song alone makes you want more and more. "Drunk Daddy" is cool live but i have to say that it's even better on the CD. Blaine sings differently on parts of the song that sound really COOL. On the "Bitch just kicked me out" the beat begins a faster pace with more awesome guitars in it. The drums sound cool as fuck too.

The song "Here's to your destruction" has a kind of 'boogie woogie' flavor to it that really shows that Ruyter can play anything she wants to and play it like no other. If you have ever wondered why NP fans are so intense and loyal to this band, just get a copy of this CD and all your questions will be answered. Go see them live and you too will be a follower for life.


Five years into their career, Nashville Pussy are showing no signs of maturing — which is great news for the fans. Say Something Nasty is cut from the same cloth as its two predecessors, fusing garage-style AC/DC boogie with a gleefully unrepentant embrace of white-trash decadence. Although most of the songs are little more than a place to hang gimmicky catch phrases like "You Give Drugs a Bad Name" and "Keep on Fucking," the entire Nashville Pussy package, taken as a whole, is satisfying just the same. Lead guitarist Ruyter Suys emerges as the group's secret weapon here — her Angus Young-style fretboard scrabbling raises the excitement level considerably — while the absence of original bassist Corey Parks is virtually unnoticeable on record (her physical presence and on-stage antics were Parks' most memorable contributions to the band). Amidst all the decidedly unmelodic noisemaking, "Here's to Your Destruction" — smartly placed in the middle of the record — provides a refreshing change of pace, featuring a heavy-handed take on Lynyrd Skynyrd-style Southern boogie. Gloriously dumb fun. — Andy Hinds

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